Non-spoiler note to all readers: Part one is easily the hardest to get through because Nick just seems to despicable to the humorous, light-hearted woman introduced via these diary entries. It is 215 pages of soul crushing poignancy as the marriage dissolves before your eyes, the plot does moving forward (however quietly) at an even pace. Part two I read in one sitting because it pulls this carefully laid foundation out at the root.
PART ONE
Nick's cryptic, seemingly unreliable voice is equal parts fascinating and frustrating. He has a face you want to punch, and a life that's pretty punch-worthy as well. His malaise makes a bad first impression, which just gets wearying with time. It's clear that he's smart on many levels, the internal charm and wryness comprising a nice counterpoint to the chapters in between.
For his passages to end with phrases like "It was my fifth lie to the police" (37) or "my second cell phone that I really should be getting rid of keeps going off in my pocket but I'll just not go into that until the chapter that reveals my affair" (Various) was the grating part. How can you trust what he says when those asides are thrown in there like that? Though I will forgive this somewhat it because it's made for an truly thrilling unraveling tale.
I loved Amy's diary entries. I fell right into the mushy idealism of "Oh, here is the rest of my life. It's finally arrived" (30) because dammit, that was nice. These selections are all about characterization, and Flynn does an excellent job of conveying her character's mind. She's victim to her suitor's charm at first, then later his opaque coldness. Her star appears to dim when connecting toward his life, the entries pointing directly to inevitable emotional and increasingly physical abuse.
Both viewpoints of the story have confirmed that they had a couple good years in Manhattan. It just seems that they both were playing roles and had the advantage of jobs and a trust fund. They're also both frustrated under-achievers - neither a successful writer, losing even the media careers that they seemed to have settled for in place of, as Amy puts it: "Fine, I don't write about the Great Issues of the Day, but I think it's fair to say I am a writer." (10) This trait is, to me, what makes them so identifiable as characters. Also, the resentment Nick and Amy both harbor toward their parents is telling. I don't need Bill Dunne to have much of a character in present to know he's bad news. Marybeth and Rand equally so, in a more upper-class, passive aggressive way.
I have to say, this writer has an excellent grasp on portraying the media frenzy aspect of the story (besides nailing the prose/tone/pacing/etc.) - I felt as rapt as if it were non-fiction.
PART TWO
Something less simple was going on than what part one teased. What a delight to find a story that I definitely haven't heard before. For what it's worth, my hunch was that the treasure hunt would lead to Amy's dead body. It's much easier to continue the story if Amy is still alive though, and it lets it hurdle toward a proper conclusion.
In light of part two, I have mixed feelings about the first part's inclusion of the diary entries. It's a little manipulative to have these completely false musings establishing the character of Amy only to have this completely turned on its head on the first page of part two.
Among my favorite passages were the phone calls Nick made to Amy's alleged 'tormentors' of youth, only to hear back quite a different story. Just because what they portray, whether or not they're 100% accurate, sounds truly like developing psychopathy, right down to the anonymous typed notes relating disappointment. I can't tell whether I'm siding with Nick or transfixed by Amy.
"I am a thornbush, bristling from the overattention of my parents, and he is a man of a million little fatherly stab wounds, and my thorns fir perfectly into them" (353).
Make no mistake, these characters are both psychopaths. At the end of part two Amy would seem to have the edge because it is still, after all, Nick's move as far as the central struggle is concerned. However, his repeated assertion of "Come home so I can kill you" (359), each more vicious than the last and new his internal dialog as of the later portions of part two, is possible the most shocking revelation to this twisty story. I wonder if Amy knows quite what she'll be in for after falling for Nick's trap, and who will actually survive the end of this.
Nick's first chapter talks about his wife's head. Amy talks about her life in a bubbly, self-deprecating way that charms you into loving her on the spot. We have all been framed by our own expectations, and probably never had a chance.
Spoiler:You have read the first two parts of Gone Girl. Do you:
a) Think that Nick, as a shitty husband, must pay his due. b) Want Amy to get caught and face the consequences of her manipulations. c) Find yourself enthralled by (and somehow still siding with) both of these complex characters. Now go away, reading part three. d) Want to float the author's body down the Mississippi for playing with your head.
Whoops: turns out the "rest" of part two was a chapter and a page of one. I'll delete that post later.
Quick question Golden Miru warrior - how are you recounting notes so specifically? Did you jot down in your book, mental reference, etc?
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It is 215 pages of soul crushing poignancy as the marriage dissolves before your eyes,
I'm glad this was mutual. I read before work and for about a week I was turning up "What's the point in living anymore?" to staff confusion.
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How can you trust what he says when those asides are thrown in there like that?
One of the final things I said in my Part One recap was that I didn't trust Amy. It's interesting to me that you picked up on this when, from the get-go and still up until this point, I've trusted Nick fully. That's possibly me being naive considering what we've been through so far though. I mean you also mention in Part Two this mental battle of picking sides; that you're still caught rooting for Amy. I think this is where we contrast and I'm too much Nick: I hate Amy. I am completely with him. Where you see a psychopath in his I'll kill her, *bleep*ingbitchbitch, I see sensibility. Just course. That bitch getting tricked.
I was actually hoping there would be more to Nick getting her back; more media appearances and so on, to build a stronger illusion to reel her in with. Almost from the start of Part Two I'd decided the only way I'd approach the situation back is to beat her at her own game, but I get he only needed minimal effort when Desi did all the work for him.
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right down to the anonymous typed notes relating disappointment.
What're they sorry? Don't remember.
Adding an additional answer to your quiz, this is what I want and the optimist in me foresees: the happy ending. They are made for each other, they always were. They've both got about as stability as a baby trying to walk for the first time and they fit. As your thornbush quote proves.
Forgot my own opinion here, right:
GOD damn what a rollercoaster. I absolutely sped through this and all of me wants to keep going. The pacing is unparalleled: it never stops a lets a point linger and draws out the wait, every new chapter moves forward. Forward to the ultimate sabotage. I don't think any of us were expecting this come Part One and we all got officially duped. Unless the ending lets me down now, I can comfortably say this is one of the best books I've read purely complete craft and originality.
There's some quotes I wish I'd taken out now really, I'll come back to it.
Probably my biggest disappointment in the entirety of this chapter was even Go falling through. The relationship those two have (and rightly so as twins) is the most desirable thing to me in the world. Unconditional trust and love, symmetrical understanding, that has never wavered. And then, in her brother Go sees a killer, albeit for just a second. Really? Really? *bleep* that man. That made me wanna rip the pages up and set them alight; that Amy performed so well she turned the unbreakable foundation into plates slipping and sliding over each other.
I also think poor Andie.
Not sure how it will finally end but it's certainly going to be an amazing climax.
^all I've got at the moment on my head, will come back.
Quick question Golden Miru warrior - how are you recounting notes so specifically? Did you jot down in your book, mental reference, etc?
Ehh, I just internalize it and flip back to where I remember it being. I don't annotate my books
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I was actually hoping there would be more to Nick getting her back; more media appearances and so on, to build a stronger illusion to reel her in with. Almost from the start of Part Two I'd decided the only way I'd approach the situation back is to beat her at her own game, but I get he only needed minimal effort when Desi did all the work for him.
I guess you could call the turn of events of Amy's gravitation back to Nick pretty convenient. They haven't made much difference to her character besides exposing her weakness. Also please please please be dead Desi, I hate you.
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right down to the anonymous typed notes relating disappointment.
What're they sorry? Don't remember.
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How am I driving? 254: "She had a whole story: She was traveling with her two-year-old, and the driver had nearly run her off the road." Tommy O'Hara, alleged date rapist, 276-77: "...I got a note, anonymous, typed, says: Maybe next time you'll think twice." Hilary Handy, teenage friend, 289-92: "...I got a letter. It wasn't signed, it was typed, but it was obviously Amy. It was a list of all the ways I'd let her down. Crazy stuff: Forgot to wait for me after English, twice. Forgot I am allergic to strawberries, twice."
Chills, man. I know I like Amy more than you and that was true until this point. The piece of evidence suggests that she pulls people in, realizes they aren't perfect (or they realize she isn't perfect, depending on who you ask) and then draws it out and punishes them for it.
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Probably my biggest disappointment in the entirety of this chapter was even Go falling through. The relationship those two have (and rightly so as twins) is the most desirable thing to me in the world. Unconditional trust and love, symmetrical understanding, that has never wavered. And then, in her brother Go sees a killer, albeit for just a second. Really? Really? *bleep* that man. That made me wanna rip the pages up and set them alight; that Amy performed so well she turned the unbreakable foundation into plates slipping and sliding over each other.
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"Amy's framing me, Go," I said. "Go, Amy bought this stuff. She's framing me." She snapped to. Her eyelids clicked once, twice, and she gave a tiny shade of her head, as if to rid herself of the image: Nick as wife killer" (227).
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Go phoned, and I picked up. Her voice was thin and high "The cops are here with a warrant for the woodshed...they're at Dad's house too. They're...I'm scared" (334).
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But I didn't respond because I saw Go being helped into the back of a police car (336).
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We snapped like that at each other now. We'd never done that before. After the police found the woodshed, they grilled Go, hard, just as Tanner had predicted: Did she know? Did she help? I had put my sister in financial and legal jeopardy because of my shitty decisions. The whole situation made Go feel resentful and me ashamed, a lethal combination for two people trapped in small confines. We were growing sick of each other, something I never thought could happen.(355-6).
Gracefully orchestrated, hard to read. I think there's enough reasonable doubt, with the woodshed and the fingerprints in her own backyard and the thought that no one could be so premeditated and lunatic.
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I also think poor Andie.
Me, not so much. Who can be like "I need you" in the middle of a national news scandal.
Well, I fly home from work tomorrow and apparently there is a book shaped package on my desk. So, I'm going to do some power reading and be done by next Wednesday-ish! Man, next month the book shop better pull their finger out, dammit.
As again, will properly respond when I have the opportunity but I'm sure me and golden can talk amongst ourselves until the Skype timing is suitable for everyone.
Also please please please be dead Desi, I hate you.
Did not call this myself. But have no objections: I'm not #TeamAmy but I'm the opposite of anything Desi is affiliated with. One of the most repugnant characters I've read. I think my favourite passage was when she describes his kissing:
"I would," I say, and I turn my face up to him and let him kiss me. His kiss disgusts me; it's nibbly and hesitant, like a fish. It's Desi being respectful of his raped, abused woman. He nibbles again, wet cold lips, his hands barely on me, and I want this all over, I want it done, so I pull him to me and push his lips open with my tongue.
I know exactly who Desi is. I've met Desi before: that guy that preys on the insecure, broken women and slimes himself in. I don't like Desi.
On the note of Amy's previous victims, it especially hit me when Boney mentions their reliability: rehab and suicides in the double. It's easy to forget that nobody else is the protagonist, no one else is Nick who can win: these people barely got on with their lives. They tried their best but were left a mess of human existence.
With Andie I don't blame her naivety, but no kid deserves to get whipped up in that shitstorm. It's Nick's poor play. She shouldn't have to be a card in someone's game.
On the ending, one thing that I was really hoping would occur would be that Nick would actually win. Well, actually no, not win - just not lose. The final compromise is done on accounts of Amy playing the better card and Nick realising he lost. Rather than that, my perfect finish would have been a stalemate: Nick finally rose to the game, and played her out of victory. Compromise would come from that; they'd still end up together regardless. And really, in a way, Amy has it right; in few examples like Marybeth and Rand, there is that happily ever after, but that fairly tale-idealism falls so far short so often (as shown through Nick and Amy) but this will create a relationship that will work and be rewarding, even if under certain pretences. He loves her and he'll come to accept it again. She summarises it so fantastically:
I was told love should be unconditional. That's the rule, everyone says so. But if love has no boundaries, no limits, no conditions, why should anyone try to do the right thing ever? If I know I am loved no matter what, where is the challenge? I am supposed to love Nick despite all his shortcomings. And nick is supposed to love me despite my quirks. But clearly, neither of us does. It make me think that everyone is very wrong, that love should have many conditions. Love should require both partners to be their very best at all times. Unconditional love is an undisciplined love, and as we all have seen, undisciplined love is disastrous.
But then again, I also think there's a lot of foreshadowing in those final lines:
He was supposed to say : You deserve it. I love you. But he said, 'Because I feel sorry for you.' 'Why?' 'Because every morning you have to wake up and be you.'
I really, truly wish he hadn't said that. I keep thinking about it. I can't stop.
Maybe it's not over at all. Maybe Nick will never fold. Maybe he's still playing a game, but either way she's breaking. Again.